Coming to The Blue Room Theatre through installation art, dance, live music, and contemporary performance, Everything Flickers is a theatre performance that deconstructs what it is to be an artist and reimagines it in every beautiful and depraved light.

Crash Theatre Co brings you Sisterhood of the Travelling Lighter.
To the friendships that raise us. From lighting the overpriced scented candle that they all chipped in for, to burning a piece of paper with their exes’ name on it, these women have done it together.

Black Swan State Theatre Company of WA and The Blue Room Theatre presents The Bleeding Tree By Angus Cerini.

In the dead of night, in the dusty Australian outback, you could hear a pin drop. And as the rumour mill churns in a restless town, can three women bury their dead weight of a secret? In this gripping revenge thriller, a lot can happen in three days…

“A COMPLEX, MOVING, VERY FUNNY, VERY CLEVER SHOW.” STAGE WHISPERS

Virginia Gay delivers a joyful, gender-flipped retelling of Cyrano de Bergerac. Packed with music, wit and aching romance, this reimagining of Edmond Rostand’s classic is a delightfully self-aware, razor-sharp theatrical rom-com.

Presenting The Blue Room Theatre’s 2022 Season: “high stakes and even higher hopes”

The Blue Room Theatre’s Annual Season presents thirteen local works spanning theatre, dance and a musical – taking audiences on a wild ride traversing inner and outer worlds…

Our very own Creative Coordinator, Noemie Huttner-Koros, is performing at The Blue Room Theatre - Summer Nights! Bringing you Mother of Composts.

The world around us is transforming; a revolution is simmering; and a suburban house party rages on. Love Letters to the Revolution pays homage to moments of change and movements in time, both big and small, together and apart.

Queer parade meets audio history. Oral history, performance art and queer pride collide; it’s a dance party and you’re invited. Presented by The Blue Room Theatre Summer Nights and Noemie Huttner-Koros, The Lion Never Sleeps takes you on a group walk through Northbridge to uncover and retrace queer history: saunas, dance floors, sex ed and solidarity.

Murder, melodrama and Wes Anderson combine in this theatrical dance double-header. Be swept into The Grand Budapest Hotel in a visually striking crime caper.  And be fascinated by tales of true crime and love: gunshots at a ball, evil stepmothers and town gossip. Reconsider what you thought you knew about contemporary dance.

From the award-winning team at Second Chance Theatre, Playthings is a new work exploring the impact of childhood trauma on teenagers and young adults. Forming a part of the Blue Rooms main season of works, Playthings brings together some of Perth’s best independent creatives to create a powerful ode to the young.

Direct from sellout seasons in New York, Sydney and Auckland and having charmed audiences worldwide, this exquisite heartwarming multi award-winning pocket masterpiece of theatrical magic is back as part of AWESOME Festival 2019 to celebrate it’s 10 year anniversary where it all started: The Blue Room Theatre.

I Feel Fine is a new project from award-winning performance collective public service announcement that invites you to experience a pop-gospel extravaganza that will leave you reborn.

How real are our memories? Have you ever been certain about something? So sure that you’d swear on your life it happened the way you remembered it? Except you were wrong? One woman is stuck in an elevator, profoundly alone but haunted by memories clamouring for attention. She has plenty of time to reflect on her life…or to start questioning what’s real.

Inspired by true tales of body horror and the prom scene from Carrie, Unrule is a spooky-scary and comedic premiere that teases apart our complicated relationships with female bodies.

When a Geraldton girl is crowned the unlikely winner of the first Miss Australia competition, she becomes a celebrity overnight. Discover Australia’s pageant past accompanied by some of Perth’s most exciting vocal talent. This musical comedy will have your toes tapping just inches from the action, as we uncover this untold piece of local history.

Two elite bodies compete under the strict gaze of an umpire. Each presents a facade, each pushes against prejudice. Pick a side and see who can flaunt their way to victory first. Tennis meets drag in this high octane, high spectacle performance investigating the toxicity of sporting and drag culture.

This is a story about you, me and the loneliest whale in the world. Five people with five stories that unravel the contemporary nature of isolation. Alone in an apartment, in a bustling bar, in the dial tone of a message bank and across the deep blue – waiting for a reply.

From the award winning team at Second Chance Theatre, Josephine! is a new theatre work for the young at heart, kicking off as a part of The Blue Room Theatre’s 2018 Summer Nights program. Written and directed by Scott McArdle, Josephine! is a story of pirates, ghosts, haiku and the strength of children. Opens on the 7th of February.

The innocent, the bully, the manipulator and the object of their desire; four flawed characters who struggle to find meaningful connection. All of them desperate to be loved and belong, aching for something from the others that can never be given.

The Blue Room Theatre & Western Sky Theatre present Once We Lived Here, written by Dean Bryant & Mathew Frank. A Thrilling WA Premiere of an all Australian musical! 

Arteries by Ancestry is a bold investigation into queer relationships, hypermasculinity, and how our ancestors shape who we are.

"Life, what we call life, is only two thirds of our potential life. So why does the waking world have the monopoly on living?" 

From the company that brought you the sell-out season of The Secret Garden Project, comes a brand new psychological drama set around an eco-disaster. The Trembling Giant is an explosive and emotional journey exploring the polarised issue of humanity versus the natural world in a race for survival.

Throughout Australia’s history, an unknown number of Indigenous children have been forcibly removed from their families. Parents were driven mad, grandparents heartbroken, siblings torn apart, language lost, and culture stripped away.

“In order for connection to happen, we have to allow ourselves to be seen – really seen.” Brene Brown

Rikki Bremner and Trihedral Sector present a double bill of contemporary dance that examines and abstracts the complexities of social interaction and our innate desire for human connection.